Islandmomma

Exploring the Stories of the Islands and the Freedoms of Third Age

Mueca: The Funny Faces Festival in Puerto de la Cruz: Reliving My Past for the Third Time!

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When I stop, occasionally, to wonder at what fuels travel addiction the answer I usually come up with is something like “variety” or “stimulation,” the antithesis of “same old, same old.” Despite my fascination with Tenerife, I sometimes drift into a rut, and then, knowing that the cure, travel, is momentarily unavailable, I mutter and curse to myself and Trixy (who is very tolerant of my mutterings).

I was at such an impasse earlier this week. Of course it was my own fault.  I doubt that there is anywhere in the world with Tenerife’s diversification of scenery and culture packed into less than 800 square miles. Yet, yes, it is possible to tire of breathtaking sunsets, fiestas and blue skies. And, yes, I know I’m a spoiled b*tch, but I was overdue for something novel and new, and everything on offer seemed too expensive!

You know how it is when you feel that way, I was looking forward to seeing the Mueca Festival in Puerto de la Cruz, but not expecting too much. I had the blahs.

El Teide, island guardian, seen from the pretty church square in Puerto de la Cruz

El Teide, island guardian, seen from the pretty church square in Puerto de la Cruz

There is no English word for Mueca. It means “pulling faces” or “funny faces.” It’s a street arts/performance festival, which, of course, includes clowns, but I suspect a nuance to the word which I haven’t caught, because it turned out to be so much more than clowns and face paint.

Maria and I set off early, but not at the crack of dawn. The drive was pleasant, the conversation excellent, and there was, as ever, that little inward sigh when we switched autopistas, and the roadsides were green. The drive between, say, Los Cristianos and Santa Cruz is without doubt the un-prettiest scenery on the island, and we were heading north, away from it.

A Living statue

A Living statue

We were a trifle early, artists and performers were still setting up. This is not an island for early risers. We consoled ourselves with coffee and cake in a café which felt more like Vienna than Tenerife, (What is it about the South which reduces interiors to plastic or over-the-top?) and then we wandered back, and the atmosphere began to filter through the clutter in my head. People were strolling not aimlessly, but not purposefully either, bent on seeing and enjoying.

The streets and plazas of the town center had been designated specific areas, so that there was “the dance street,” “the music street,” “the magic street” and so on. We let ourselves drift with the tide of people. It was busy, but not crowded, so that moving around, changing direction, skirting small children wasn’t difficult. We snapped silly pictures of each other with a “work of art,” and met up with Maria’s son and family.

Maria & me at Mueca

It was all so much nicer than I’d expected, but also more or less what I’d expected…..that was until we discovered the clowns. By that time we’d pretty much stopped trying to figure out exactly where each event was, and we stumbled across them by accident. Hard to imagine that, when they were in what was probably the largest stage area, down by the harbor. We managed to sneak into second row seats and decided that if it got too warm we would just sneak out again.

I need to explain something here. When I was a kid I went to the circus at least once every year. My hometown, Blackpool, on England’s north-west coast has a permanent circus ring, which nestles under the four, arched legs of its famous Tower, a structure inspired by the Eiffel Tower, which opened in 1894. Unlike the Eiffel Tower, Blackpool Tower’s legs are encased in a building, which also housed, at that time, an aquarium, a small zoo and a rather magnificent ballroom. But the circus ring was at its core, and my annual visit was the high point of my summer. One day I’ll write something about it, today that’s just  background.

Clowns Sandalio and Margarito doing their opening sketch

Clowns Sandalio and Margarito doing their opening sketch

When my older son was two, the ex and I took him to the circus for the first time.  As we settled into our seats, I was drawn back to childhood, as my spirit absorbed the familiar, forgotten smells and sounds. I was captivated again, a kid again, singing with and shouting to the clowns, just the way we’d always done. I was so immersed that I wasn’t even aware of it, until my partner remarked afterwards that I’d behaved like a child myself. So that was my second bite of the cherry.

Sandalio & Margarito

Saturday was my third. The clowns emerged from an improvised backdrop, which the wind constantly tried to rip free, and within a couple of minutes I was time traveling again. Sandalio and Margarito gave a classic clown performance, so that, even though it was updated, I knew seconds before each movement or glance what was going to happen next.The red-nosed loveable clown who always gets it wrong; the apparent demise of a clown who has to be revived by his partner; the dragging members of the audience onto the stage to aid and abet their silliness – it was all there.  I remembered how each clown has his own face, his own name and way of dressing came back, and I remembered that I’d even once dreamed of running away to join a traveling circus …… was that what inspired my wanderlust, I wonder?

Sandalio and Margarito

By the end of a very happy hour every muscle in my body felt relaxed and happy, except perhaps for my cheeks, which ached from laughing so much. Beers, tapas, more cake, iced coffees and we plunged back onto the lively streets. This time to catch a ska fusion band called Big Band Boom Fire, joyously singing, playing and strutting atop an articulated truck, to an adoring audience, surrounding the truck, and swaying to the beat. Then on to catch a balancing act, with an Angus Young lookalike performer – more laughter, more engagement with the willing audience.

big band boom fire mueca

Circovito

Circovito

Folk perched wherever they could to catch an act

Folk perched wherever they could to catch an act

At that point I had to leave, Maria was staying with her family for the night, and I had a faithful mouth to feed waiting patiently at home. I wish I’d stayed. I wish I’d stayed in Puerto de la Cruz for the entire weekend in fact. Sitting here now looking at the program I realize I saw only a small part of what was there.

I don’t remember a better atmosphere in a crowd, a time when nothing about the crowd irritated me (I’m an only child, I don’t do crowds that well!). With none of the religious overtones of a fiesta or the excesses or competition of Carnival this was only about enjoyment and laughter and spreading happiness. The only other place I can think of is Disney World and for the same reasons. Plus they both necessitate that childlike suspension of disbelief, which we scorn as adults. A journey back in time is just as good as a journey across the miles.  I adored it, returned home feeling as I’d been on vacation, so stimulating had it been.

Right now the wanderlust is back under control, for how long I have no idea, but I’m quite happy to be on this ever-surprising island.

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Author: IslandMomma

Loving island life and exploring the freedoms Third Age brings: Challenging myself every day: writing, traveling, snapping pix, running & teaching ESL

10 thoughts on “Mueca: The Funny Faces Festival in Puerto de la Cruz: Reliving My Past for the Third Time!

  1. I read this with a big smile on my face Linda. Thank you for such descriptive writing and for the photographs that illustrate so well. You´re a star!

  2. thanks once more Linda, as when you go back to childhood you take me along with you. I well recall those childhood trips to the circus. later when I moved on to senior school a couple of class mates were doing the enviable job of circusette, during the summer holidays. they walked round the circus ring showing the number of the next act. I thought this second in glamour only to air hostess. now I know different of course. also — what about gurning a very old tradition especially in Cumbria, pulling the funniest face, through a frame of a horses collar.

  3. also …. they just unveiled a statue of Charlie Caroli in Stanley Park, vandalized within the first couple of day sadly. most folk can’t understand why it isn’t on the promenade outside the Tower where he made families laugh for all those years.

    • That’s so sad. But hardly a surprise, I suppose, Blackpool doesn’t seem to care about its history or traditions. So much stuff was destroyed, and yet they replaced it with utter tat…..and now they are still stuck in the 50s it seems. Stuck in a time warp they seem reluctant to get out of. By “they” I mean the council or whoever is/was responsible for the town. It has a rich history of entertainment, and yet no museum to celebrate it. Thank god at least the Grand Theater was saved. I hope it’s still open? And did they manage to save the ABC theater? Although I don’t think it has the architectural merits of the ones they knocked down like Feldmans or the Palace, it’s a part of history.

      • there exists a Civic Trust who do what they can, but it is a bit like as you describe closing the stable door after the horse has bolted. they were responsible for the aforementioned statue and its position I think. they have just made a list of some buildings they want to be ‘listed’. What was the ABC became a very swish nightclub, now money has run out and the talk is of car park. Sad because whenever I catch sight of it I am back watching (not listening too much screaming going on) to the Beatles in their early days. Oh and first date with husband to see a film, as it was more cinema than theatre later on. Every now and again there is talk of museum of theatre, the old GPO on Abingdon St being a possible home, but again it is all about money or lack of it I suppose.

  4. A museum of theater would be perfect for Blackpool. There was, years ago. a very small one on Coronation Street, and it was utterly fascinating. In fact, I think it was responsible for my interest in the history of Blackpool. Being away for so long now I can’t imagine where anyone there in local government is coming from, but they certainly seem to be like dinosaurs when it comes to repacking/promoting/re-envigorating the town. The history of Blackpool theater and the 19th century holiday industry should be preserved in any event. Elsewhere in the world, even in the smallest, backwater communities, they are making the most of what they have, promoting their communities if not as tourist destinations then for the sake of their own children!

    • Wow. I had NO idea I felt so strongly about that!

      • have you been reading the Gazette online about the prom? Having spent millions on creating just two lanes of road past the tower and creating total havoc during the work and total havoc following with traffic snarled up and landaus all mixed in with this mess THEY now realised what we all knew. two lanes mean chaos and they are going to spend more millions to put it back how it was. they could do a Faulty towers sit com about our town hall. we drive on pot holes whilst the wave of a hand has given every child in Blackpool free breakfast at school. now they can work out who needs a free school dinner, so why not do the same for breakfast, nope right across the board free for all.
        I fully agree our heritage is important, there is a nice Heritage Museum in Lytham, with changing displays and also a museum in Fleetwood. There used to exist a few bits and bobs in the Grundy upstairs.

  5. LOL. La plus ça change, la plus c’est la même chose!

    I did follow the Gazette on FB for a short time, but the comments they received were so ignorant and the grammar was so predictably bad I had to stop! Obviously, they don’t put much money into education!

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